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Michael Riley interview

designer: Michael Riley • studio: Shine Studio • 2 comments

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In 2010, Shine's creative director Michael Riley received his third Emmy nomination for Outstanding Main Title Design for his title sequence for the HBO feature Temple Grandin. We visited Riley at the Shine studio in L.A., where he talks about the “golden handcuffs” of optical compositing, and he takes us through the design process of his main titles for Gattaca (1997), and recent movies The Back-Up Plan and Temple Grandin.

Michael Riley

To embed this interview: vimeo.com | YouTube

Michael Riley has been designing main titles since 1991 - the era of optical compositing and analogue animation techniques. Before joining Shine as creative director, Riley worked with Kyle Cooper at R/GA, and he was partner and creative director at Imaginary Forces. In 2010, Riley received his third Emmy nomination for Outstanding Main Title Design for HBO's feature Temple Grandin.

Other main titles designed by Riley include movies such as Along Came A Spider, Kung Fu Panda, Band of Brothers, Standoff, Mad Money, and Taking Chance. And he designed or creative directed title sequences for several popular TV series such as Terminator: The Sarah Connor Chronicles, Ally McBeal, Criminal Minds, and Modern Family, to name but a few.

Temple Grandin title sequence, concept 1 (exerpt), Michael Riley/Shine
Temple Grandin, concept 1 (exerpt)

Temple Grandin title sequence, concept 3 (exerpt), Michael Riley/Shine
Temple Grandin, concept 2 (exerpt)

Temple Grandin title sequence, concept 7 (exerpt)
, Michael Riley/Shine
Temple Grandin, concept 3 (exerpt)

This interview is the second in a new series of 9 video interviews with title designers, taken from our brand-new Watch the Titles 2 DVD-set, which is out now.

DVD Packshot

This DVD and this interview was made possible with the support of the Mondriaan Foundation, SNS REAAL Fonds and the Prins Bernhard Cultuurfonds

Funding bodies - logos

Lat update: 19 January 2011

Year of production

2010

Title designer

more about Michael Riley

About Michael Riley

Michael Riley

Michael Riley is the creative director of Shine, a creative design studio in LA. He has been directing and designing film and television main title sequences, theatrical trailers, television commercials and corporate identity packages since 1991. He has designed main title sequences for Traitor, Signs, Mad Money, and television title sequences for Terminator: The Sarah Connor Chronicles, Blade: The Series, Criminal Minds, Karen Sisco, Ally McBeal, Saturday Night Live, and many more. "I was very happy to work for DreamWorks on Kung Fu Panda. Maybe Gattaca, for Andrew Niccol; Band of Brothers for Steven Spielberg; or Standoff for Fox; or 21st Century for The United Nations," Riley answered, when asked what title sequences he is most proud of.

more about Michael Riley

Full credits

Director
Femke Wolting
Camera & voice over
Tommy Pallotta
Producers
Femke Wolting & Bruno Felix
Line producer
Willeke Steenbeeke
Editor
Arno Ouwejan

Thanks to
Michael Riley, Bob Swenson and everyone at Shine, L.A.

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Comments (2):

5 Jan 11 • by: Johnny Tran
Terrific interview!

6 Jan 11 • by: Charles
Great to hear about Mr. Riley's experiences as designer, storyteller, marketer, etc. Very interesting to see an example of a title design proposal that was rejected by the film's director and then to see the final, approved title sequence. This designer seems very connected to emotion or compassion in a way that other designers might not show in their work.