Suspect created the stop-motion animated opening and end credit sequence for a short film titled The Wilde Ones - a film that pays tribute to Richard Wilde's inspiring leadership as chair of the BFA Advertising and Graphic Design Department of the SVA in New York. “Our team created a landscape that felt as if someone had crafted it from scratch. Each piece of material was something that was found around the office," explains creative director Hoon Chong.

It's not all Hollywood here at Forget the Film, Watch the Titles. From time to time we like to feature a main title that was created on a very small budget. The Blue Horse is an independently produced Dutch thriller. Its main title is slightly reminiscent of Stephen Frankfurt’s opening title sequence for “To Kill A Mockingbird”, but only in the sense that it's a table top shoot and the title is revealed by a child drawing with a crayon.

We sat down with main title designer Danny Yount at the Prologue studios in Venice Beach, L.A. Yount talked about his main title for Iron Man, his Emmy award-winning main title for  HBO's show Six Feet Under, and the difference between designing for television and film. His favorite main title is Se7en. (6'20").

We like the short but sweet title sequence for the American tv show 'Community'. Creative director Erin Sarofsky reminisced about her own high school years and came up with the idea of creating a title sequence based on the Cootie Catcher.

"The first title sequence that made a really big impression on me was the The Dead Zone for David Cronenberg’s movie," says title designer Kyle Cooper. "I realized at that point that my interest in film and my interest in typography and graphic design could somehow be the source of another vocation."

“A writhing mass of bodies trying to escape from the never-ending ether,” says Rob Rugan, creative director of Superfad, about the concept behind the main title for '13'. This is the first main title created for a web series that really made an impression on us. “A good bit of the style came from looking at classical sculptures.”

Finally there's a survey that will give the professional international motion design community (you!) more insight into salaries, rates, and other relevant issues. The results of the survey will be published on Motionographer in 2010. So, if you're working in the field of Motion Graphic Design, Animation, Visual Effects and Film-making, take the survey on Motionographer.

The end credit sequence by Danny Yount, creative director at Prologue, visually relates planetary bodies in outer space to the macro world of cells, blobs of blood plasma and floating particles inside the human vascular system – a world that we've only recently become aware of by way of the electron microscope, but remains quite alien to us nonetheless.

Hot off the press: SXSW added the 'Excellence in Title Design' award to their Film Design awards. "Open internationally to all Title Sequences that exist as part of a completed film finished in 2009 or later". SubmarineChannel and ArtOfTheTitle in the jury! Deadline: December 11. More info here

motion504's magical title sequence for AICP's annual show combines fantastic automotive devices and kinetic type. The title sequence features the names of the event's sponsors, but nevertheless has true "Hollywood Appeal".